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Baby blue song badfinger series#
In 2013, the song was featured in the series finale of the television show Breaking Bad. As a single in the US in 1972, it went to 14. The song was written by Pete Ham, produced by Todd Rundgren, and released on Apple Records. It looked like the best song to finish Walt's last trip into community, Golubic claims. 'Baby Blue' is a song by the Welsh band Badfinger from their 1971 album, Straight Up. When It Comes To Marty Robbins' El Paso, the song Walt hears from a glove-box cassette tape as he's driving a Volvo back to Albuquerque, Golubic states it was written into the script. To me, it was a charming nod of regard to a band that had a very tough time of it, Golubic states. If somebody utilizes a track in a terrific and exceptionally iconic way, the last thing I desire to do is utilize it once more, he says. Golubic didn't realize Scorsese had utilized it till it was far too late. Gilligan, a Badfinger follower, wasn't assuming The Departed when he picked Baby Blue for the ending. It wasn't about Walter White as a criminal or a murderer or a dreadful person. In came the dailies, with that terrific crane shot moving over Walter White, and once we played the track, Oh, I obtain it now,' Golubic continues. When he said, I assume this is the best song for the closing of the finale,' I didn't truly hear it, Golubic says. People started anticipating The Beatles to turn up at our gigs. We obtained a great deal of that in the very early days, he states, specifically after Paul wrote Come and Get It. Baby Blue manufacturer Todd Rundgren recently likened Badfinger to an ersatz Beatles, presuming the suggestion that they were nearly loading a gap that was opened up when The Beatles stopped taping together. Today, Molland still visits under the Badfinger name. Al Steckler was an A&R guy in New York, Molland claims. While Rundgren gone about renovating some of the tracks made with Emerick and Harrison, Baby Blue was the first new Badfinger song he tried. He enjoyed tape-recording the band instead of going and doing multiple overdubs for the large, Phil Spector type of manufacturing that George had wanted, explains Molland.
Rundgren was intent on going back to Emerick's original concept of recording Badfinger stay in the room. Molland remembers recording the tune on the same day that Ham brought it in. She came to one of the programs, they got talking and Pete truly liked her, Molland remembers. Ionly figured out that day that they were most likely to utilize the song on Breaking Bad, he says.
Baby Blue, the unforgettable 1972 Badfinger track that closes Breaking Bad as an ode to blue meth, was maker Vince Gilligan's idea.
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